The ANNOTATED " Science Fiction/Double Feature
"
Lyric by Richard O'Brien, Copyright © 1974, Druidcrest Music
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Michael Rennie was
ill
The Day the Earth Stood Still
But he told us where
we stand.
And Flash
Gordon was there
in silver underwear.
Claude Rains was The Invisible Man.
Then something went wrong...
For Fay
Wray and King Kong -
They got caught in a celluloid jam.
Then at a deadly pace
It Came from Outer Space.
And this is
how the message ran:
(chorus)
Science Fiction - Double Feature
Doctor X will build
a creature.
See androids fighting
Brad and Janet.
Anne Francis stars
in Forbidden Planet.
ah-ha ha-ho
At the late-night
double-feature picture show .
I know Leo G. Carroll
Was over a barrel
When Tarantula took to
the hills.
And I really got hot
When I saw Janette Scott
Fight a Triffid that that
spits poison and kills.
Dana Andrews said Prunes
Gave him the runes
And
passing them used lots of skills.
And When Worlds Collide
Said George Pal to his bride
I'm gonna give you some terrible thrills! 
Like a --
(repeat chorus)
Science Fiction - Double
Feature (etc..)
(I wanna go - o -o)
To the late-night
double-feature picture show.
(By R.K.O)
Oh - o - o
To the late-night
double-feature picture show.
(In the back
row)
Oh - o - o
To the late-night
double-feature picture show.
(the end)
The Day the Earth Stood Still (1951, 92m,20th Cent. Fox), starring Michael Rennie as
"Klaatu", with Patricia Neal. An alien comes
to Earth, shows us his power about shutting down all of our power
for a day, and then said for us to shape up, or his large robot
Gort will destroy the world. We promise to fly right, and he
leaves. (I guess we fooled him). Gave us the classic phrase
"Klaatu Barado Nicto" which means basically,
"Klaatu says 'Don't destroy the planet'" Also, Klaatu
wasn't ill that day, but actually stuck in an elevator. Directed
by Robert Wise, who would later
direct West Side Story, The Sound of Music and Star Trek: The Motion Picture, and then become president of the Academy of
Motion Picture Arts and Sciences (the
Oscar people). The movie was inspired by a short story
called "Farewell to the Master" by Harry Bates
(1940) which has little in common with the movie, other than
having a flying saucer piloted by aliens named Klaatu & Gort
land in Washington DC, but is just as a thought provoking story
as the film is.
Several movie serials starring Buster Crabbe in the late
1930s, some of which were reedited into features, notably: The
Deadly Ray From Mars(1938, 99m) and Purple Death from
Outer Space (1940, 87m)
The Invisible Man (1933,
71m, Universal), starring Claude Rains & Gloria Stuart. Directed by James Whale (who also directed
Frankenstein ) Based on
the novel by H.G. Wells (first
published in 1897, the same year as Bram Stoker published Dracula.)
King Kong (1933, 103m,
RKO) Starring Fay
Wray, Bruce Cabot and the
Empire State Building. Produced &
Directed by Merian C. Cooper, and Ernest B. Schoedsack. (It was,
of course, remade in 1976, with a model named Jessica Lange debuting in the
Fay Wray role. Two Oscars and six nominations later, its
nice to reflect on that....)
Two years later, Cooper and Schoedsack would
try again with another big-budget epic: The Last Days of Pompeii (1935, 95m, RKO). This film would have absolutely no
significance here except that it too was remade, (1960, 105m, Italy), this time
featuring that big time American Body-builder-turned-actor star
of Italian "Cloak-and-sandal" action-fantasy flicks: Steve Reeves (He had
already starred in Hercules, Hercules Unchained, and
Goliath and the Barbarians in just 1959 & 1960). (Just so you know these thing
are circular, Goliath... also starred Bruce Cabot).
Although Reeves would only make those
two, the Italian "Hercules" movie series would continue
for at least 26 years and 11 movies; some starring other
body-builders-turned-actors Lou Ferrigno and Arnold Schwarzenegger. (Yes, I
know that this is an incredible contrived segue from King Kong
to Steve Reeves, but Steve is
just about the only film reference mention in RHPS that I don't
mention somewhere here, and I'll be damned if I going to leave
him out)
It sounds like O'Brien is
referring to a movie called At a
Deadly Pace here, except I can't find any indication such a
movie exists. Any help here would be appreciated.
It Came From Outer Space
(1953, 81m, Universal) Based on a Ray Bradbury short story,
starring Richard Carlson & Barbara Rush. An alien ship
crashes in the desert, and its passengers assume the identities
of some of the locals to attempt to repair their ship unnoticed.
Directed by Jack Arnold. In 3-D.
Doctor X (1932, 80m,
Warner Bros.) Starring Lionel Atwill, Preston Foster, and Fay
Wray (and you thought her only movie
was King Kong, right? Actually, she made 76 -- and all but
10 between the years 1923-1942). Atwill is Doctor Xavier, and
the creature turns out to become "The Full Moon
Strangler." Fay's there just to scream a lot. Directed by Michael Curtiz, who would
later go on to direct Captain Blood, The Charge of the Little
Brigade, We're No Angels, Angels with Dirty Faces, Life With
Father and a whole bunch of other significant films,
including Casablanca, which won
him the Oscar for Best Director---but not before Curtiz,
Atwill and Wray teamed up again for The Mystery of the Wax Museum, (1933, 77m) which would later be remade with Vincent Price (and Charles Bronson ) as the 3-D
classic House of Wax.
This line is another puzzle.
"Brad and Janet" would seem to refer to the
protagonists of Rocky, except there are no androids in the movie
to fight with. Perhaps O'Brien is referring to some other movie,
which he like so much that he stole the heroes' names for his own
play? But if so, what movie? There are no androids in Doctor X, and while there is at least a robot in Forbidden
Planet, no one named "Brad" or "Janet".
My best guess: As this stanza parallels the reprise that
concluded the movie, O'Brien needed a line with the phrase
"Brad and Janet" to balance the line "Darkness has
conquered Brad & Janet." So, he figured he included a
"Coming Attractions": "See Aliens Fighting Brad
& Janet" But, then, as he tries to score it, he realizes
that the meter doesn't work, so he makes a quick change,
confident that no one will notice, "`cuz it's not like
anyone's going to be studying this 20 years from now..."
Forbidden Planet (1956,
98m, MGM) Starring Anne Francis, Walter Pidgeon, Leslie
Nielsen, Earl Holliman, and in his
debut, Robbie the Robot . Space
explorers land on a planet, meet a scientist and his daughter,
and battle with "The Creature from the Id" -- the
greatest cartoon monster of all time (the rest of the movie was
live-action). Based, believe it or not, on William Shakespeare's
play The Tempest.
Tarantula (1955, 80m,
Universal) starring John Agar, Leo G. Carroll and debuting in
a bit role, Clint
Eastwood (40 years and three
Oscars later, it's nice to reflect on that). Carroll is a scientist who
creates a growth formula, which creates a tarantula the size of a
house. Directed by Jack Arnold
(see above).
The Day of the Triffids(1963,
95m, Allied Artists), starring Howard Keel, and Janette Scott. Meteors turn
plants into giant walking Man-eaters (which, by the way, is the
same basic plot as Little Shop of Horrors,
which was, nevertheless, a very different movie). Remade for
British TV in the early 80's. There is, by the way, no such thing
as a "Triffid," which is the name these plants went by.
However, "trifid" (with one F)
means "divided into three parts", and is often used as
part of the scientific name of plants which have a three-part
leaf.
This
one was a bit tough. The best I could come up with was The Curse of the Demon (1958,
83m, Columbia) which starred Dana Andrews as a "Stuffy
cynical psychologist who doesn't believe that a series of deaths
of been caused by an ancient curse". One of his co-stars was
70, so she may have qualified as a "prune". Based of
Montguae R. James book Casting the Runes
When World Collide
(1951, 81m, Paramount) Starring Richard Derr and Barbara Rush. George Pal produced and did
the special effects (but didn't directed -- He'd start doing that
a few years later). Two planets are flinging their way through
outer space -- one is going to hit and destroy Earth, while the
other is close enough to being Earth-like that people build a
space ship to reach it to save themselves from dying on the
Earth. The film ends just as that ship lands on the second
planet. Of course, as this planet continue to fling through
space, it'll move either closer to or further from the sun,
killing everyone on it -- Everyone that is, that survived the
meteors showers which occurred as this planet passes through the
debris left by Earth & the other planet colliding and being
destroyed -- but you're no supposed to think about that....
I'm not sure about the "to his bride"
line, since as far as I can tell, Pal wasn't married to anyone
noteworthy - All I could find about her was that her name was
Zsoka Grandjean. It might possibly be a reference to Bride of Frankenstein
(which any horror movie fan knows is the best
"Frankenstein" film, and inspired Magenta's hair-do in
the final scene) although Pal didn't have anything to do with
that movie. I guess it was the only thing O'Brien could think of
that rhymed with "Collide".
When sound was first added to
films, the Radio Corporation of America (which these days goes by
merely RCA), decided that sound their bag, and were determined to
be the leading producers of talkies, or at least, they wanted to
make sure that when you thought of Movies -- you thought of
Radio. To that end, the trademarked the term "Radio
Picture," which is what they called their movies. But, they
needed to make sure that theaters would show all their
"Radio Pictures" Their solution -- buys lots of movie
theaters and force 'em to. The "Keith-Albee-Orphreum"
chain of movie and vaudeville house was willing to merge, and
thus was born in October of 1928, the "Radio - Keith -
Orphreum Corporation" -- or "R.K.O" for short.
(The exact fate of Albee has been lost to the ages) RKO then
proceeded to spend most of the 1930's in bankruptcy. It did find
time to make a few movies then, including some high-quality
horror flicks, including King Kong, Son of Kong, The
Cat People, and I Walked With a Zombie. Despite making
many good films over the years, financial troubled always loomed.
RKO's studios were sold to Desilu (Lucille Ball's company) in
1953, and it stopped making movies altogether in 1957. It
survived as a corporation, living off it's holdings, until the
1980's when it was swallowed up by other companies. Among the
other movies made by RKO were Orson Wells's Citizen Kane, Disney's
Snow White and the Seven Dwarfs (before Walt left to start
his own studio), Hitckcock's Notorious, and
vaudeville-stripper-turned- Lili St. Cyr's finest hour: Son
of Sinbad (1955).
This
line is, I think, Richard O'Brien's one big mistake in the song,
since as everyone knows, the back row was for making out,
but if you actually want to see the movie, you had to be
in the front row. Or perhaps he was just giving us a clue
as to what was to come.....
It's interesting to note that,
while we have several movies from the 50's, two from the 30's and
one from the 60's, there nothing here from the 40's. Apparently
it was a bad decade for Science Fiction/Horror flicks.
Note, also, that most of the movie cited are
rather short, generally running only about 80 minutes. This is
because, true to the title, most of these films were intended to
run as part of a Double Feature, and the theater owners wanted to
get two of them in, along with a cartoon & a newsreel, in
under 3 hours.
The information provided here was gathered from
"Microsoft's Cinemania" CDROM, Baseline's "Motion
Picture Guide" and "Encyclopedia of Film", and a
youth misspent watching a lot of late-night TV.
Many link access The
Internet Movie Database at http://www.imdb.com/Movies
However many links go elsewhere, so be sure to
poke around a bit.